Yes, the Undercurrent is a standalone novel

The Undercurrent – out now in Australia and New Zealand – is a speculative thriller set in near-future Australia and, yes, it’s a standalone novel.

There are two main reasons for this.

Firstly, after the challenge of telling a story over four books with the Rephaim series, I wanted to push myself to write a tightly contained narrative in a single novel.

Secondly – and more importantly – when I understood the story I wanted to tell with these characters, I realised it only needed one book to do it.

It took me a while to get a feel for these characters, their world and where I wanted to take the story. There were many false starts. I think I re-wrote the first 25,000 words at least a dozen times before I figured out what I was doing. (There were more re-writes once I had a full draft, but I understood the terrain by then.)

I had a number of competing priorities in my life at the time and felt like I could never get my teeth into this story, but it did come together, piece by piece, taking longer than I expected because I needed to get it right.

I tend to do everything at pace, but life was forcing me to slow down with the book and take my time. I hope I’ve produced a good novel as a result. It’s ambitious, I know. I hope it takes people by surprise (in a good way!). Most of all, I hope they’re hooked by the characters and the story, and enjoy the ride.

The first copy of The Undercurrent to reach the Mediterranean! My dear friends the Alfords took their copy to Crete this week.

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The Rephaim

Shadows - Rephaim 1
Haze - Rephaim 2
Shimmer - Rephaim 3
Burn - Rephaim 4

About Me

I’m the author of the Rephaim series and The Undercurrent.

For my day job, I’m a writer-journalist-professional communicator, where my writing involves a lot less profanity.

I grew up in regional South Australia and now live in the Scenic Rim with my husband and a retired greyhound.

If you’re interested in how I came to land a publishing deal, you can read the short version in this post from August 2011. There’s a longer version (in a guest post) here.

Paula Weston

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